I received a fellowship to attend!!!
The 2018 Hudson Faculty includes CAConrad, Adam Fitzgerald, Myung Mi Kim, Eileen Myles, Harryette Mullen and Frank Wilderson III as well as visiting poets Divya Victor and Che Gossett.
The Home School organizes weeklong conferences that usually take place from Sunday through Friday. The core components of our program currently consist of the following three daily activities: morning workshops, afternoon performances and nightly readings. Our workshops are lead by renown poets who have exemplified innovative thinking regarding poetry's involvement with painting, music, sculpture, dance, technology and other multimedia. Our performances welcome visiting artists/poets who work between genres and disciplines, as well as celebrating our attending students in their own creative works. Our readings bring together faculty and visiting poets to intimately read and share their work. Whether in Hudson or elsewhere, our poetry-arts conferences enable attending poets to generate new work, foster a sense of community, rethink their approach to poetics and the fine arts, as well as question the received ideas of traditional pedagogy and contemporary practice.
Cat Tyc is a Brooklyn based writer/artist. She has two chapbooks, one from Dancing Girl Press called An Architectural Seance and the other from Belladonna Collaborative called CONSUMES ME. Her video work has screened locally and internationally at spaces that include the Microscope Gallery, Anthology Film Archives, CUNY Graduate Center, Brooklyn Museum, Hauser & Wirth, and Kassel Fest. She has directed music videos that have been added to the rotation on LOGO's NewNowNext and MTVu. She teaches multimedia composition at Baruch, Rutgers New Brunswick, and Marymount Manhattan College. She also works as the Program Coordinator at The Home School in Hudson, NY.
Eileen Myles’ notable and influential writings can be found in the publications Not Me (Semiotext(e), 1991), Chelsea Girls (Black Sparrow, 1994), Inferno (OR Books, 2010), and most recently Snowflake/different streets (Wave Books, 2012). Her essay “Street Retreat” was part of the Semiotext(e) installation at the 2014 Whitney Biennial, and her essay “Twice,” written for the catalogue of the 2014 Liverpool Biennial, was the afterword in I Must Be Living Twice/new and selected poems 1975-2013, out from Ecco/HarperCollins in 2015.
Che Gossett is a trans femme writer, an archivist at the Barnard Center for Research on Women and a PhD candidate in trans/gender studies at Rutgers. They are the recipient of the 2014 Gloria E. Anzaldúa Award from the American Studies Association, a Radcliffe research grant from Harvard University and the 2014 Sylvia Rivera Award in Transgender Studies from the Center for Gay and Lesbian Studies at the City University of New York. Most recently, they received a Palestinian American Research Center grant and are currently serving as a 2017-2018 Queer Arts Mentor.
Divya Victor is the author of KITH (Fence Books/ Book Thug), a book of verse, prose memoir, lyric essay and visual objects; NATURAL SUBJECTS (Trembling Pillow, Winner of the Bob Kaufman Award), UNSUB (Insert Blanc), and THINGS TO DO WITH YOUR MOUTH (Les Figues). Her chapbooks include Semblance and Hellocasts by Charles Reznikoff by Divya Victor by Vanessa Place. Her criticism and commentary have appeared in Journal of Commonwealth & Postcolonial Studies, Jacket2, and The Poetry Foundation’s Harriet. Her work has been collected in numerous venues, including, more recently, the New Museum’s The Animated Reader, Crux: Journal of Conceptual Writing, The Best American Experimental Writing, and boundary2. Her poetry has been translated into French and Czech. She has been a Mark Diamond Research Fellow at the U.S Holocaust Memorial Museum, a Riverrun Fellow at the Archive for New Poetry at University of California San Diego, and a Writer in Residence at the Los Angeles Contemporary Exhibit (L.A.C.E.). Her work has been performed and installed at Museum of Contemporary Art (MoCA) Los Angeles, The National Gallery of Singapore, the Los Angeles Contemporary Exhibit (L.A.C.E.) and the Museum of Modern Art (MoMA). Divya Victor is Assistant Professor of Poetry and Writing at Michigan State University in East Lansing, Michigan.
Myung Mi Kim was born in Seoul, Korea. She immigrated with her family to the United States at the age of nine and was raised in the Midwest. She earned a BA from Oberlin College, an MA from The Johns Hopkins University, and an MFA from the University of Iowa. Her collection of poems Under Flag (1991) won the Multicultural Publishers Exchange Award of Merit; subsequent collections include The Bounty (1996), DURA (1999), Commons (2002), River Antes (2006), and Penury (2009).
CAConrad’s childhood included selling cut flowers along the highway for his mother and helping her shoplift. He is the author of 9 books of poetry and essays the latest While Standing In Line For Death is forthcoming from Wave Books in September 2017. He is a Pew Fellow and has also received fellowships from Lannan Foundation, MacDowell Colony, Headlands Center for the Arts, Banff, RADAR, Flying Ojbect and Ucross. For his books, essays, and details on the documentary The Book of Conrad (Delinquent Films, 2016), please visit http://CAConrad.blogspot.com.
Harryette Mullen is the author of several poetry collections, including Recyclopedia, winner of a PEN Beyond Margins Award, and Sleeping with the Dictionary, a finalist for a National Book Award, National Book Critics Circle Award, and Los Angeles Times Book Prize. Her poems have been translated into Spanish, Portuguese, French, Italian, Polish, German, Swedish, Danish, Turkish, Bulgarian, and Kyrgyz. A collection of her essays and interviews, The Cracks Between, was published in 2012 by University of Alabama Press. A new poetry collection, Urban Tumbleweed: Notes from a Tanka Diary (Graywolf Press) was a “top pick” for fall 2013 by the Los Angeles Times. She teaches American poetry, African American literature, and creative writing at UCLA.
Frank B. Wilderson III is a professor in the Department of African American Studies at UC Irvine. He is also the Director of the Culture & Theory PhD Program. His books include, Incognegro: A Memoir of Exile and Apartheid; and Red, White, & Black: Cinema and the Structure of U.S. Antagonisms. In addition to being an activist and scholar, Wilderson is also a creative writer; he has received a National Endowment for the Arts Literature Fellowship, The Maya Angelou Award for Best Fiction Portraying the Black Experience in America, the Zora Neale Hurston/Richard Wright Legacy Award, The Eisner Prize for Creative Achievement of the Highest Order, The Judith Stronach Award for Poetry, and The American Book Award.
Adam Fitzgerald is the author of The Late Parade, his debut collection of poetry from W. W. Norton’s historic Liveright imprint. In 2007, he completed a Masters degree by editing two unpublished essays of John Ashbery at Boston University’s Editorial Institute; in 2010, he received his Master of Fine Arts from Columbia University’s School of the Arts. His poems, essays and interviews have appeared in A Public Space, The American Reader, Boston Review, The Brooklyn Rail, Conjunctions, Fence, and elsewhere. He is the founding editor of the poetry journal Maggy. In 2013, he co-curated the immersive-environment exhibit “John Ashbery Collects: Poet Among Things” for Loretta Howard Gallery. He teaches at New York University and Rutgers University. He lives in the East Village.